Woodworker's Journal 2001-25-2, страница 26

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Grand Pianos

Working Wood for Steinway

Frank Pollaro gained his reputation in ihe woodworking world through reproductions done in the style of Art I)eco master Jacques Ruhlmann. lately, he's added to lhal reputation through association with another famous name: Sleinway. as in the pianos.

A couple months ago, Frank unveiled a Steinwav Art Case piano he'd designed. It was one of the rare commissions the 140-year-old company gives to outside firms. Woodworkers asked to participate are those who have become well known for their persona] style.

Frank certainly put a lot of style into the grand piano. Veneered entirely in satinwood parquetry, lite case was encircled by a series of diamond motifs that seemed to go through dramatic figure-ground reversals depending on the viewing angle. The diamonds were repeated on the inside and outside of the top, on the legs, the strut... even the matching piano bench. The finish was an im|)eceably rubbed high-gtoss lacquer, which made the wildly figured satinwood veneer glimmer like gold.

It sounded great, too — smooth, clear and subtle, with a very round tonality, bright but not brassy —

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A Steinway Is an Impressive piano — especially with Frank Pollaros diamond veneer patterns.

when jazz pianist John Kegen tickled the ivories in the New Jersey workshop of Frank's Pollaro Custom Furniture.

This wasn't the first time Frank had designed a Steinway — his "Rhapsody" model, below, honored George Gershwin's 100th birthday. Other pieces are at www.poltara.com or call 973-675-7557.

— Ellis Walentine

tC-'Cle No 105 oo PROOUCT INFORMATION lorm)

Designing a piano lor Steinway means collaboration: case shape, keys and pedals must follow their guidelines.

26

April 2001 Woodworker's Journal