Popular Woodworking 2007-10 № 164, страница 10

Popular Woodworking 2007-10 № 164, страница 10
* Contributors -

David Charlesworth

David is an author and furniture maker who has specialized in teaching since 1977. He lives in Devon, England, where he teaches at Harton Manor Workshops - but he can also be found for a week or two every summer at the Marc Adams School of Woodworking in Indiana.

An accomplished author and DVD host, David's books include "Furniture-making Techniques" (volumes 1 and 2) and the new "A Guide to Hand Tools and Methods" (Guild of Master Craftsman).

In this issue, David writes about "Precision Handplaning," beginning on page 54.

Ted Brown Ted is a furniture designer/maker from Almonte, Ontario, Canada. He was educated in fine woodworking in Canada, and later at The College of the Redwoods under James Krenov. Ted was the founder of Rosewood Studio, a now-closed school that taught high-end woodworking and attracted some of the finest teaching talent. He now designs and makes fine handmade furniture in a small shop in Almonte, Ontario.

Frank Klausz At the age of 14, Frank entered the Hungarian trade school system, earned his journeyman cabinetmaker certificate, and later became a master. His apprenticeship may have been tougher than most, for he had an exceptionally strict master - his father. Today, Frank builds fine furniture in his New Jersey-based shop, and teaches at various schools and woodworking shows. In this issue, Frank writes about his "Ruhlmann-style Poker Table," beginning on page 72.

Paul Anthony Paul has been working wood for more than 30 years, turning it into everything from cabinets and furniture to guitars and carved wooden marionettes. Author of several woodworking books, and editor of Popular Woodworking's "Tricks of the Trade" column, Paul never tires of sharing tips and techniques with other sawdust junkies.

8 ■ Popular Woodworking October 2007

Kara Gebhart uhl As Writer's

Digest's managing editor, Kara, Popular Woodworking's former managing editor, now profiles authors instead of woodworkers and edits articles on nominalizations instead of shellac. Still, she was delighted when asked to profile John Wilson (p. 82). Although happy in her new position, sometimes she sneaks down to the woodshop just to take in that sweet sawdust scent.

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