Popular Woodworking 2008-10 № 171, страница 20c* ood design is little more than and secure. Good design is also the art of selective thievery. This workbench is a good compromise, finding the happy medium example of that. A combi nat ion of features between ext remes. from several historic forms, ranging from Thisbenchbeganwiihihcidcaofbuild- holds WOrk <iny Which iheRoubototheWorkmate.bccomcsanew inga reproduction ofan English Nicholson form, suited to being the center of a modern bench. The Nicholson was popular in Colo- way you want to. woodworking shop. nial America, and variationsofitappcarcd I've never seen a workbench that 1 was in woodworking books until the 1920s, entirely happy with. I have love/hate rela- The dominant feature on the Nicholson is tionships with many common features. I a wide front apron, which allows work to like tool trays, but hate the way shavings be secured to the front of the bench as well andotherdetrituscollectsinthem. I want astothetop. to be able to clamp work quickly, but speed The drawback to the extended apron is BY ROBERT W. LANG means nothing if the clamping isn't solid thatitlimitstheabilitytoclampdowntothe ^LsfCtentiiry |