Woodworker's Journal 2008-32-5, страница 43

Woodworker

Reading the End Grain

Because the four elements found in hardwoods —vessels, fiber, parenchyma, rays — are uniquely represented in each species, the ability to analyze these differences is the key to being able to identify the type or species of any wood. As an introduction to wood identification, I've chosen three well-known and widely used species: red oak, white oak and African mahogany.

■ Vessels: It is the earlywood large vessels that form the concentric rings. These are the large-cavity, thin-walled transport elements needed at the onset of the spring/summer growth period. They typically get abruptly smaller, although in both oaks they continue to be made and used throughout the growing season.

The major difference between the oaks is that vessels are free of any inclusions in red oak, whereas the vessels in white oak are plugged with tyloses. (We will see the effect of these when we look at utilization in Part 2.)

Vessels in mahogany are smaller and consistent in size. Some are arranged in twos and some in threes. The white deposit in some vessels is a common feature and is likely some form of gum deposit.

■ Parenchyma: In both oaks the parenchyma

is the tissue that surrounds the large vessels. It's easy to see in white oak because of its white color and typical flame-like shapes; in red oak, it's a shade of brown, and entirely surrounds the smaller vessels, which are much easier to see than in white oak. Parenchyma is very sparse in mahogany, visible only as the light-colored edges of some of the vessels.

■ Fiber: The fiber in each photo is the dark background material. At this low magnification

it's never possible to see the thick-wall, small-cavity elements as separate items. In both oaks, you will see very thin light-colored lines running horizontally through the fiber. This is parenchymatous material.

In mahogany, fiber is the red ground that is neither rays nor vessels.

■ Rays: In each photo, the rays are the lines running more or less vertically. They are profuse in white oak, less so in red oak. In both oaks, there are very fine rays between the larger ones.

In mahogany, the rays are more or less the same thickness. They are little more than two-vessel diameters apart, and they bend around the vessels.

Ian Kirby is a master woodworker, wood scientist and designer. He is a regular contributor to Woodworker's Journal.

Embedded in

parenchyma

Red Oak

White Oak

Piu§ Ray

African Mahogany

Parenchyma

Light<olored edge of vessel

Fiber

Fiber

Vessel

Plugged with tyloses

Parenchyma

Boundary Parenchyma

Fiber

Ray

Parenchyma

Woodworker's Journal October 2008

43