Popular Woodworking 2006-06 № 155, страница 20

Popular Woodworking 2006-06 № 155, страница 20

Q & A

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family craftsmen with photos of their tools, jigs and floor plans of their shops. It is a gold mine of information.

Even better, I recommend you visit Winterthur (winterthur.org). It's quite close to you. There you can see the reconstructedDominy shop and and even take a look at the book "With Hammer in Hand" (Hummel worked there).

I also like the book "The Tool Chest of Benjamin Seaton," which showcases an early toolchest and its contents.

Finally, "Tools for Woodwork" by Charles Hayward. This book offers advice on hand-tool use and setup, plus lists the tools to get started.

There are some other contemporary sources. But I really think a visit to Winterthur will answer many of your questions.

— Christopher Schwarz, editor

You Gave Us the Recipe For a Stickley Stain, but Which Stickley Stain?

In the June 2005 issue, you replied to a reader regarding duplicating one of the Stickley finishes. Based on your tests, the General Fin

ishes "Java" stain was recommended. I am also trying to duplicate one of the Stickley original finishes named "Onondaga 32." Based on their catalog, they have at least four different types of finishes for oak (Fayetteville 35, Onondaga 32, Centennial 31 and Limestone 38). Do you happen to know what original Stickley stain the "Java" stain replicates?

Brian Baker Bethlehem, Pennsylvania

The "Java" stain is close to the "Onondaga 32" from the current L.& J.G. Stickley catalog. I should point out that these aren't really "original" finishes. The current production from L.& J.G. Stickley is finished like most modern furniture with a variety of stains, glazes and toners. Original Gus Stickley furniture was fumed, shellaced and waxed in the early years, and finished with stains made by Sherwin-Williams and early versions of lacquer later on. The colors are similar, but the materials, methods and finished appearance are not identical.

Jeff Jewitt's web site (homesteadfinishing.

com) has some good information on how to obtain a close match to most of the colors that were originally used.

If you're trying to match something you have, I'd recommend making several samples and seeing what looks right to you. PW

—Bob Lang, senior editor

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Every day we get questions from readers on all subjects about their woodworking. Some are letters; many are e-mail messages. We are more than happy to share our woodworking experience with you by answering your questions or adding some clarity to whatever aspect of the craft you are unsure about. In addition to the hundreds we answer privately every month, we want to share the best questions here with readers.

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