Woodworker's Journal 2004-28-6, страница 58
Popping the Grain: Bringing out the Best in Wood By Michael Dresdner f you're like me, you'll choose the most stunning lumber you can find (and afford) for your projects, as much to display the wood as to show off your skills with it. When the time comes, you want to be sure the finish you apply helps showcase its character, making the figure and grain even more pronounced. Not all finishing techniques and materials are best for all situations. Here are some recommendations for your consideration. Clear Coatings Clear coatings can add richness and depth to wood, but some clear materials intensify figure much more than others. The key difference has to do with molecular weight. I^ow molecular weight liquids (made up of smaller molecules) penetrate more deeply into the wood, whereas high molecular weight molecules may sit on top of the wood. The better the penetration or "wetting," the more depth and shimmer they add. Oils, Danish oil, and dewaxed shellac are all low molecular weight liquids, and all three do a nice job of bringing out figure. I use boiled linseed oil or Watco® Natural, both of which not only wet nicely, but add just a touch of amber color, which further delineates figure in light-colored wood. In the photo (above, right), quilted maple, plain walnut and curly koa were all treated with boiled linseed oil. As you can see, the oil made a significant difference in the depth and intensity in both flat grain and curly figured woods. Here's how 1 do it: Flood boiled linseed oil or Watco* onto the wood liberally. Make sure it stays wet for 10 or 15 minutes. If any areas of the wood absorb all the oil during that time, add more. After fifteen minutes, wipe off all the oil you can, then let it dry for two days before continuing with the next coats of finish. The process for shellac is much faster. Flood the shellac on liberally, then wipe it off immediately. Wait only two hours before finishing. When freshly sanded, purpleheart has a grayish cast, but exposure to the air will bring back its dark color in a few days. Top: Quilted maple. Lower left: plain walnut. Lower right: curly koa. The left side of each wood sample was sealed with waterbased polyurethane; the right side was treated with boiled linseed oil. From left to right: walnut, maple, rosewood. Dyes mimic the sun's aging to bring golden highlights to walnut and rosewood, and add subtle grain enhancement to figured maple. Dyes Color can also enhance the grain, both by adding bright highlights and by intensifying grain patterns. Each of the samples in the photo above used dye to add character, but a slightly different technique on each created a particular look. On the left, I took a rather plain piece of walnut, which sported an unfortunate grayish cast, and livened it up by flooding on and wiping off a fairly dilute yellow- iiiiliiS WvilCH |
